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145-147 Elgin Street
Carlton, Victoria 3053
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There are 624 items in this list, view them all as images ?
Vintage voiced reverb that aims to fit somewhere between dirty sixties chambers, classic spring, and the big, ringing plate reverbs of days gone by. Designed in conjunction with the LEVITATION music festival, formerly known as Austin Psych Fest!! Version 1
2-speed, 60’s trem-tones, staccato if you want it, snazzy looks, handmand boutique quality that we expect from Black Cat Pedals (and they always deliver) – the Mini Trem has a lot going for it. Backing off its Depth and Speed knobs turns it into one of the most pristine Clean Boosts ever only to be outdone by the inclusion of its Tone control that you can use to tailor your tone anywhere from swamp to sheen.
ON LAYBY Enquire
The Cusack Screamer is a “clean” overdrive, but has about twice the gain of a typical Tube Screamer. Many TS style pedals come off as “mid-rangey” or “muddy”, making them easy to get lost in a mix. This is where the Screamer offers much more clarity than a typical overdrive. It has been meticulously thought out, and tweaked for maximum tonal definition. You can actually hear the individual notes of complex chords that would normally be buried.
Green Classic series. Studio quality compression in a pedal. Crank it to the extreme and it'll give your sound that percussive "thud" brilliant for funk or country. And with its parametric EQ you're in full control of which frequencies to target.
Featuring a simple control interface, compact design and seemingly endless amount of gain, the Mooer Cruncher Distortion can summon the grittiest sounds with a few twists of the gain and tone knobs. Built with a punching midrange that will immediately get your signal noticed in the mix, use the Cruncher for a searing lead or dial the gain down for a tight, chugging bite on your rhythm parts.
Another Big Muff inspired Fuzz. Sounds pretty cool. The chassis is a Hammond branded case made in Canada. From whence the hands that built it came, nobody knows. But they did a very good job! It's nice and clean internally. Nice, tidy work!
Original Made in USA 1978-81. The Deluxe model of the classic Big Muff included with the full circuitry of a vintage Soul Preacher, placed in tandem with the Op-Amp construction of the standard model of the late '70s/early '80s.
* 100 volt hard-wired. Requires step-down transformer (INCLUDED!)
ON LAYBY Enquire
Looks like its never been breathed on. Packed as when bought new. So how do you make the world's best-selling polyphonic tuner even better? For a second time? Simple. You make it do more. Whilst retaining popular features, such as multiple tuning modes - including polyphonic, chromatic, ultra-precise strobe mode and alternate tunings - we've added one key new feature: a buffer. With box and manual!
Made in USA. For the true tonal alchemist, the Electro-Harmonix Graphic Fuzz XO is a unique distortion pedal with 6-band EQ, sensitive to the dynamics of your playing. Sliders for Overdrive, Sustain, and Volume further its array of tones.
Synth Engine. Building on the synthesis platform of the award-winning Superego, the Superego+ raises the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more.
With an added effects section featuring 11 effects types, an EXP input for effect parameter control/preset recall and an EXT jack for a 3-button controller. Excellent condition! Includes box and manual
ONE Series. 24 distinct effect engines ranging from vintage tape and analog delays to highly advanced pitch-shifting, reverse, filter modulating, and rhythmic delays.
It also features 128 presets, multiple delay taps, a hold function, tap tempo, full MIDI control, deep editing functionality with the Neuro Mobile App.
Includes box and power supply
Integrated Effects Management. Floor-based unit with studio-quality guitar effects and advanced loop/routing facilities for external pedals and preamps. With a unique combination of 2 DSP sections, analog loops, amp switching, and 9VDC power outputs for external pedals. Features 8 effect blocks divided into a pre effects section with Filter and Compression, and a post effects section with Noise Gate, Modulation, Pitch, Delay, Reverb, and EQ. Also included are Chromatic Tuner, Tap Tempo and Boost function.
Carl Martin Hot Drive´n Boost has been carefully designed to imitate the sound of a good old-fashioned distorting Tube-Amp. The Hot Drive´n Boost is the perfect choice for that crunchy blues tone, with plenty left over for a great hard rock tone as well. With the BOOST feature the Hot Drive´n Boost is a “TWO IN ONE” pedal. That allows you to get that extra “kick” (up to 20db) for solos to really stand out! English plug with adapter! w/box and manual
Dover Drive, inspired by the tube-driven B.K. Butler and Chandler Tube Driver pedals that have powered everything from David Gilmour’s late-model stadium sound to J Mascis’s power jangle to Eric Johnson’s violin-like tone. The Dover Drive’s tube-free design might mean it can’t deliver all the magic of an original Tube Driver, but it’s got a unique vibe, and is a killer all-around pedal that covers everything from mild overdrive to Fuzz Face-like assault.
Analog guitar cabinet simulator for the stage, studio or bedroom guitarist. Get incredible guitar tone with ADA’s new analog GCS Series “Natural Resonance” miked cabinet simulators. Features all important PASS THRU feature to tap your amplifiers' power section output!
Vintage Made in Japan late 1970's - JET PHASER 6-Mode Pure Analog Phasing. Features 4 x Jet Modes which incorporates a mean Fuzz filtered through four different tone stacks, and two modes of clean phasing. Resonance Control cranked to max allows for very throaty MXR type phasing - Features a FAST/SLOW switch which ramps the speed up to / down from max speed (slow speed can be set). Very lush almost vibrato-ish warble! RARE and AWESOME! *Takes 2 x 9V batteries* **Fully functional except the MODE switch a little intermittent**
The Silicon Fuzz Factory contains carefully selected silicon transistors that preserve the classic texture of the original germanium Fuzz Factory while providing temperature stabilization. This means that it can be used in very hot situations such as sunny outdoor stages and under hot lights where germanium fuzzes can change texture as their gain climbs wildly. - Nice pedal board friendly case orientation! *AS NEW! w/box and manual.
Cleanly boost your signal and grant you massive tone, fatten up your existing sound, boost you up for solos, or introduce an extra stage of organic tube saturation to your already overdriven tube amp, adjust the gain of the mini booster pedal with the internal trimmer, Equally effective on bass and acoustic guitars! With box, baggy, pick and manual. (*As new condition)
RARE!! Legendary fuzz pedal. Hand made in Texas. Based on the 1970s Univox superfuzz which is quite a popular fuzz pedal with a decent wallop of upper octave. The same model as what you can hear on the most rockin' Beastie Boys song SABOTAGE! Ooooooooooooooh Can't stand it, I know ya planned it....!
Specular Reverb v.2 offers one normal reverb mode plus six atmospheric reverb modes. Each one of the six atmospheric modes (Modulated, Shimmer, Echo, Tremble, Voices, and Infinity) has the same basic character as the normal reverb mode, whilst adding its own unique twist. This is the core concept of the pedal : one great sounding reverb and the ability to add unique atmospheres on the fly.
This circuit (Brown Sound in a Box 2) was by far my favourite distortion back in high school. It’s a little metal. It’s a little fuzzy. And the cool thing was, if you wanted one, you just have to build one or know somebody who could. The circuit was designed by Ed Guidry and was one of the highest recommended builds on the forums. Many would suggest that his design was the original precursor to many of the "high gain amp" pedals that came out in the 2000's. It's basically a Marshall stack tone faker. It has a tonne of gain, and a huge clean bottom end to fake a big amp. My build also has improved noise spec. This circuit also responds excellently to rolling back the instrument volume knob. Distortion is achieved by overdriving Fairchild field effect transistors (FETs), being the closest solid-state relative to vacuum tubes. No diodes are involved for clipping. There are three stacked gain stages. The first two are μAmp stages, which is a classic valve topology developed to achieve high gain performance from tubes. The final is a class a stage.
2004Classical Cedar top,Indian Rosewood back and sides. all solid wood. Nice. Ebony fret board. Lacquer finish. Powerful and loud with superb separation & sustain in all registers, clear and even trebles, strong bass. Great cosmetic condition With a Poly foam case.
I've never heard of this company nor did google provide me with anything, however, beyond this pedal's home-printed sticker graphic, is a very nicely designed circuit based on the Tychobrahe Octavia, utilising an audio transformer to create harmonic overtones (as opposed to all other designs that use a mirrored pair of transistors). Sounds great! But provides subtle overtones versus a total octave shift.
The Big Fuzz is a muff circuit, which has been made to factor all of Dazatronyx's favourite elements from the many various models. Further, some improvements have been made to improve user interaction, which are otherwise lacking in traditional builds.
The classic design varied greatly over the years, being made in various locations to different schematics and ever-changing component values. One large reason some models are still highly favoured now, is for their amount of mid-scoop. This is a famous love-hate element of the circuit. However, having this second tone knob adjustment is incredibly helpful.
There are two internal mod switches to independently change the gain stages. This goes from the Russian style lower gain, which is famously a bit smoother and proportionately warmer in the top-end, to the modern NYC high gain which is a bit more aggressive. Combing this with the mid knob means you can achieve tones alike to most releases.
There is also an internal mod switch to transform the circuit to work as a Supa Fuzz (Marshal, Sola Sound). This has a huge bottom-end wrapping, and is the preferred mode for bass players.
BRAND NEW! WIth 5 year warranty. Includes box and manual.
A highly versatile envelope and compression pedal that can give you classic filter tones and lasting sustains or something more unique, like funky distortion and even a polyphonic synthesizer. Make swelling sweeps that fade into oblivion with the Swell and Fade features; with these turned off, however, you find yourself with a totally transparent optical compression. w/box and PSU
ZOOM DRIVER! Digital Distortion!
Possibly the world's worst overdrive tone! Actually, imagine tone was a wart that you were told you couldn't pop, but at night in the dark it would whisper to you false and misleading information about Jimmy Page and Eric Clapton, trying to discredit the entire history of awesome rock and roll, creating an alternate reality where guitar begins with C.C. Deville and ends with Hootie and the Blowfish.
Oh, someone has just informed me that the Tone Stack Amp Simulator is an early DSP chip digital processor. The EQ and clipping circuit are analog. Ok, cool. Glad we cleared that up!
The Electro-Harmonix Deluxe Bass Big Muff Pi is a fuzz pedal that has been specifically configured for the bass. It features volume, blend, tone, sustain, and gate knobs, as well as a "Crossover" section that has separate HPF and LPF controls. With box and manual.
A high gain overdrive distortion pedal with a unique three band eq. This is a pedal for fans of high gain lead and, or heavy riffing. The SHIFT control helps play nice between fender and vox style amps, but also can be utilized for smoother top end roll off. Think high gain lead playing/jazz fusion...to heavy chuggah metal!
Legend Amps Series B1 Distortion Guitar Effects Pedal creates superior high gain quality distortion, as found in the Bogner Sharp Channel Amplifier*. The sound of the AMT B1 is monstrous in tone, aggression, and provides massive amounts of gain. W/- Box
Mooger Fooger Freq Box made in USA. modulates your input signal with an internal oscillator, varying its waveshape with your adjustments. Its Voltage Controlled Oscillator can produce a wide range of effects, from fuzz to synth-like sounds. You get total control over envelope, drive, output, mix, and more
Hand Made in Japan - Boutique Distortion! w/box.
**Translated from a Japanese listing** 'It was aimed at "the moment you play the strings to penetrate tore the air," the sound of the image. A distortion towards the fender, Inc. such Comp feeling to driving a tube amp is characterized by, It has set the Gain width to about clean / crunch. There is a separate sense of not saturated even at full gain, also in the arpeggios One sound one sound is finished in a good sound of the omission in the sparkling beer or to hear not cloudy. From clean boost that gives firmness and luster to the original sound, optimal to solo boost Until crunch drive can be a variety of sound Create."
Mad Professor Ruby Red Booster (RRB) is a combination of two boosters and a switchable buffer. The two boosters are based on the much sought after BJF Little Red Trebler and Red Rooster Booster, connected in that order and with a master volume control.
Vintage early 1980s Made in Japan. Professional System Board.
Custom assembled by any of the compatible range of pedals available from Yamaha at the time.
Analog, vintage and very cool!
Even includes the original lamp and case!
Pedals installed are:
• LS-01 Line Selector
• DI-01 Distortion
• PH-01 Phaser
• NG-01 Noise Gate
• LI-01 Lmiter
• AD-10 Analog Delay
• CH-01 Chorus
• CO- Compressor
• CH-03 FB Chorus
11 separate eefects loops available with CV control option for each.
AMAZING! * 100 volt - requires step-down transformer - INCLUDED!
THE ROOK - Used by;
Brad Whitford (Aerosmith), Ty Tabor (King’s X), Andy Timmons, Mark Tremonti and Myles Kennedy (Alter Bridge), Mato Nanji (Indigenous), Marlon Young (Kid Rock), Mike Zito (Royal Southern Brotherhood), Lance Lopez, Pepper Keenan (Down), Cody Canada and Seth James (The Departed), Ryan McGarvey, and others.
With its Baxandall-driven EQ section and 3-way voicing switch, the Rook’s versatility has verged on uncharted territory for a small, simple 4-knob OD. Now, the standard is getting an upgrade.
-2-way order selector toggle (left: Speakeasy comes first, right: Rook comes first)
-3-way clipping toggle (up: LED, center: none, down: silicon)
A highly versatile envelope and compression pedal that can give you classic filter tones and lasting sustains or something more unique, like funky distortion and even a polyphonic synthesizer. Make swelling sweeps that fade into oblivion with the Swell and Fade features; with these turned off, however, you find yourself with a totally transparent optical compression.
Eight classic modulation effects, Real tube technology for thick, vibrant sound, Saturation control for tube-overdrive flavor, Fast/slow mode footswitch for enchanced creativity and control, Stereo operation. With box, manual, and PSU (requires travel adapter, we sell for $3)
Metal Monster. The absolute last word in high gain distortion devices. It offers gobs of grinding gain and singing sustain that were previously unattainable without the use of the most powerful tube amplifiers at full-bore volume. Hybrid tube/solid state distortion circuit.
"The Roger Mayer STONE FUZZ is is a modern evolution from the fuzz pedals I modified for Jimi. It is a very heavy sounding fuzz with roots that go back to the early fuzzes Jimi used but is not a clone of the old Fuzz Face." Essentially a fuzz face copy but a lil' different! Hand built in the UK!
Overdrive. Produced for Char! - Famous Japanese guitarist. Wears a hat like Stevie Ray Vaughan (complete with feather), plays a goldtop Les Paul like Joe Bonamassa (but before him) and sings into a microphone like Janis Joplin (but doesn't sound like her).
Developed by Kurosawa Gakki, Manufactured by Maxon in Japan.
Includes box, manual in Japanese, and Japanese power supply (100 volts so won't work in Aus. But pedal just runs on standard 9 volts DC)
AGX Tone-Sharper Pre Amp/DI/EQ pedal.
"The Hartke AGX Acoustic Attack Pedal gives the acoustic guitar player the ability to dial in an acoustic tone that actually sounds acoustic while playing through an amplifier or PA system."
Did they mention it's for acoustic stuff?
The GRID SLAMMER™ overdrive pedal produces a variable boost in gain over a wide range with a classic, guitar-centric midrange bump that enhances many different playing styles. It’s a true overdrive “specialist” that covers an amazing array of what many top players consider the most expressive and musical ranges of overdrive. From sweet, subtle breakup to a harmonically smoldering overdrive that can both sting and sing, the GRID SLAMMER sets a new bar in legendary overdrive! Handbuilt in the USA! w/box